The parrot and the mermaid

Mindfulness is a direction that’s gaining some traction in photographic teaching; the notion that connecting with the environment around us in a deeper way can bring emotional wellbeing. In a busy urban setting, the ability to step back from the pace around us and see the everyday for its small details of light, simplicity and beauty is a useful psychological tool and a necessary state for the photographer. Within a landscape, zoning out from mental clutter and being in the moment requires effort. Some photographers talk about their emotional state as a major contributor to their photography but I believe the opposite is true. It’s about responding to the location using present senses and leaving emotions temporarily to one side. A state of emptiness for an over active mind is a good base to begin with but increasingly the creative intellect takes over. An internal monologue starts to develop where scenes are processed and judged for photographic potential. Through intense scrutiny compositions reveal themselves and entice, what I would call mermaids, often in the form of dramatic lighting, or colour. Every photographer I imagine, has their own triggers. They are of course a trick and resisting the path to them requires an intellectual effort so hence the parrot which is the constant voice that drives the photographer away from shiny cheap shots that fail to offer photographic potential towards stronger successful images. Where mindfulness is less about success and results and more about exploring in the first instance, the parrot and mermaid are both two forces that live in the moment drawing on the photographer’s wealth of creative experience.