When there are no rules in composition

In Spain I became more interested in using trees as a device to frame, in some cases two trees with a subject between them. In previous times the differential contrasts between the darker foreground bark and background forest highlights would have been impossible to balance. Now with modern sensors and dynamic range, the once fatal compositions are available. This means that as photographers possibilities open up as to what we can compose. Now you can free yourself from mainstream compositional structures.