Why a visit to The National Gallery is useful

As a young teenager a school trip visit to the NG in London seemed a worthy thing to do. The paintings were old which was the important thing about it. As an 18 year old, a second visit was in mind of art movements and styles particularly contrasting brush work as well as varying types of lighting within scenes. Think of Turner. It was only in October this year when suddenly I made the connection with a scene in front of me that took me back to that visit. Whilst there was no one thing about what was in front of me that resembled any particular painting, the quality of light; the direction it was coming from, the intensity and the colours the light helped to lift reminded me of how some masters used to understand suggestion with light and not entire revelation. You can see my image in the Spain Autumn gallery half-way in with the river in the foreground. Why I like the photo and why it reminded me of old paintings is the scene in modern landscape terms is compositionally quite weak, the abstract graphical approach is absent as indeed it was for the master painters who were interested in light and scene formed within a framework of romanticism. Instead it suggests and offers a subtly that is out of step wth most photographic landscape ‘in your face’ imagery.